![]() ![]() The film will take the audience on a grand saga of Samrat Prithviraj Chauhan, king from the Chauhan dynasty who ruled the territory of Sapadalaksha. The film stars Akshay Kumar in the lead role as a fearless warrior. Whereas Akshay Kumar's 'Samrat Prithviraj', by film-maker Chandra Prakash Dwivedi, grossed around Rs 10.70 crore at the box office on its opening day, which is less than how much the actor's last film 'Bachchhan Paandey' made on its first day. The film also stars Vijay Sethupathi and Fahadh Faasil. CHINA BOX OFFICE YOGA FLOP SERIALHaasan plays the role of Amar, who is assigned to investigate the serial killings. CHINA BOX OFFICE YOGA FLOP TV6, a week earlier than it will open in the United States.This only adds to the Rs 200 the makers made in sales of TV and OTT rights ahead of the film's release. release, while “RoboCop” will land on mainland screens Feb. The worldwide box-office hit “Despicable Me 2" will finally arrive in China in January, more than half a year after its U.S. ![]() CHINA BOX OFFICE YOGA FLOP MOVIEShortly after, a slew of stateside A-listers - including Leonardo DiCaprio, Nicole Kidman and Harvey Weinstein - turned up in Qingdao as Wanda, owner of the AMC movie theater chain, unveiled plans for a multibillion-dollar movie studio complex and film investment plan.Īmong the Hollywood movies to hit Chinese screens early in 2014 will be the stateside flop “The Mortal Instruments: City of Bones,” “Ender’s Game” and “Saving Santa,” an animated film that went directly to video in the U.S. In September, China’s Dalian Wanda Group gave $20 million to the Academy of Motion Picture Arts and Sciences’ film museum in L.A. “They do not have any patience for art-house fare,” he said, adding that 2013 will be remembered “for the spectacular takeoff of China’s film market” but will also “go down in history as the year bad movies ruled.”Īlthough Chinese fare is performing better at home, connections between Hollywood and China continued to grow in 2013. That audience’s tastes are plebeian, Zhou added. “The aspiration and aesthetics of this demographic form the bedrock of China’s market, and they have their own tastes and quirks.” “Audiences increasingly hail from cities and towns smaller than Beijing, Shanghai, Guangzhou and Shenzhen,” said prominent Chinese film critic Raymond Zhou. In the coming years, most of the screen growth will come in smaller cities, which is likely to affect the types of films that perform well. But China’s population is more than three times as large as the United States’, so there remains ample room for growth. The country has been erecting multiplexes at lightning speed, and China is expected to end the year with about 18,000 screens, less than half the U.S. Revenue is now 10 times what it was in 2006 but still well below the estimated $10.9 billion in U.S. “As Chinese filmmakers continue to refine their craft, local audiences are finding relatable stories packaged together with high-production-quality content.”Ĭhina’s box office has exploded in the last decade to become the second-biggest in the world, behind only the United States. “The big story of 2013 must be the prominence of Chinese films generally, and small- to mid-budget films’ outperformance specifically,” said Rance Pow, president of Artisan Gateway. ![]() Right,” a tale of modern relationships with touches of “Sleepless in Seattle” and “Tiny Times,” a story of materialistic college girls in Shanghai. Among those films were “So Young,” a 1990s college romance Feng Xiaogang’s modern satire “Personal Tailor ” “American Dreams in China,” a rags-to-riches tale that starts in the 1980s “Finding Mr. ![]()
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